ဝန္ဒာမိ

vandāmi cetiyaṃ sabbaṃ, sabbaṭṭhānesu patiṭṭhitaṃ. Ye ca dantā atītā ca, ye ca dantā anāgatā, paccuppannā ca ye dantā, sabbe vandāmi te ahaṃ.

Saturday, June 01, 2024

Inscription at the Image of Mahākassapa in Silao



In 1934 CE (2477 BE), a British archaeologist discovered numerous ancient artifacts—such as Buddha images, stone stupas, and sculpted temple entrance stones—in Silao Village, located on the road between Rājagaha (Rajgir) and Nālandā in present-day Bihar, India. Today, Silao is a well-known tourist stop, famed for its sweet called Khaja (known among Thais as “Kha-cha,” humorously suggesting it makes your legs numb).

In the Buddha’s time, this area was a royal park belonging to King Bimbisāra, called Amba-Latthika-Vana, meaning “Mango and Palm Grove.” Prince Rāhula, the Buddha’s son, once spent the rains retreat (vassa) here before the King donated the park to the monastic order, making it a full-fledged monastery—similar to the Veḷuvana (Bamboo Grove) monastery.

This site is notable for being the setting of the Brahmajāla Sutta, the first sutta in the Dīgha Nikāya of the Pāli Tipiṭaka. If you open Volume 9 of the Pāli Canon (the first volume of the Sutta Pitaka), you will immediately find this sutta.

Story Background in the Brahmajāla Sutta:
The sutta begins with Suppiya the Wanderer (paribbājaka) and his disciple Brahmadatta Kumāra traveling together. They arrived at the Amba-Latthika Royal Park. Had this been the only detail, we might not know its location—but the Pāli text clarifies:
“antarā ca Rājagahaṁ antarā ca Nālandāṁ”
—meaning "between Rājagaha and Nālandā.”

This is key: the distance between Rajgir and Nālandā is about 16 km, and halfway lies the village of Silao. At this spot, master and disciple had a sharp disagreement—the teacher insulted the Buddha, the Dhamma, and the Saṅgha, while the student praised and revered them. This incident reached the Buddha, who used it as a teaching moment to deliver a profound discourse on three levels of morality (minor, medium, and great), and the 62 wrong views (diṭṭhi), prevalent in ancient India.

Discovery of Mahākassapa’s Sculpture:
At the edge of the village, there are remains of ancient Buddhist structures. One artifact discovered was a black stone statue in a kneeling posture. Without an inscription, its identity would be unknown. Luckily, an inscription in Sanskrit, written in the script of the Pāla Dynasty (circa 1300 BE / 757 CE), is carved on the statue’s base.

Sanskrit Inscription (summarized in translation):
Success! He who had once been a mighty king of the gods for seven cycles without interruption, who was born into a noble and glorious human family, radiant like gold, swift beyond measure, and who renounced riches and wife with contentment—this noble being turned his mind toward the suffering and forsaken. Even the gods revere him. He was deeply devoted to the Blessed One (Bhagavat Buddha), and during the time of the Buddha’s passing (Parinibbāna), the Buddha granted him the remaining monastic robe (saṅghāṭi). He became the upholder of the Dhamma, guiding others to the path of Nibbāna. On a sacred mountain called Gurupāda, this being, Mahākassapa, continues to shine.

Key Highlights:
The inscription clearly names the mountain "Gurupāda" using the phrase:
“Gurupāde girau ramye” — “on the delightful mountain called Gurupāda.”
It also confirms that Mahākassapa attained final liberation (parinibbāna) at this location.

This strongly links Mahākassapa with Gurupāda Mountain, but identifying the exact mountain isn’t simple because the state of Bihar has many hills.

Scholarly Opinions on the Identity of Gurupāda:
Sir Alexander Cunningham believed that the modern Kurkihar Hill is the Gurupāda of the inscription.

Sir John Marshall identified it as the modern Gurpa Hill.

Mukherjee, an Indian historian and archaeologist, also pointed to Gurpa Hill, where a stone footprint of Mahākassapa was found at the summit—with an inscription surrounding it.

Today, most scholars agree that Gurupāda refers to Gurpa Hill, located in Gaya District, Bihar, based on:

The inscription’s mention of Gurupāda.

The footprint relic.

Corroborating distance and location data from Yijing, the Chinese monk-traveler and scholar.

Status Today:
The statue of Mahākassapa still exists in a small Hindu temple at the back of Silao village, where the Khaja sweets are sold.

Occasionally, local Hindu devotees apply red and orange powder to the statue as part of their offering rituals.

Linguistic Note:
The name “Kassapa” in Pāli is Kassapa (कस्सप), while in Sanskrit it appears as Kāśyapa (काश्यप).

The Cycle of Suffering

Exploring key concepts within Buddhism, particularly focusing on the cycle of suffering and its underlying causes Two Roots (of the past) Avijjā (Ignorance): A lack of understanding of reality, leading to clinging and suffering. Tanhã (Craving): The desire for things to be different than they are, fueled by ignorance. These two together create the foundation for the cycle of rebirth and suffering. Two Truths: Samudaya Sacca (Arising Truth): The truth of the arising of suffering, caused by craving and ignorance. 1st & 2nd segment: Refers to the arising of suffering in the past, influenced by avijjā and tanhã. 3rd & 4th segment: Refers to the arising of suffering in the present, influenced by avijjā and tanhã. Dukkha Sacca (Truth of Suffering): The truth of the nature of suffering itself, which is inherent to existence. Four Layers: Past Causal Layer: The actions and intentions (karma) from the past that shape the present. Present Resultant Layer: The present experiences arising from past karma. Present Causal Layer: The actions and intentions of the present, shaping the future. Future Resultant Layer: The future experiences resulting from current actions. Twelve Factors: Avijjā (Ignorance): The root of all suffering. Sankhāra (Kammic Formation): The volitional actions motivated by ignorance and craving. Viññana (Rebirth Consciousness): The consciousness that arises from karma and leads to rebirth. Nama-rupa (Mind and Matter): The physical and mental components of a being. Salāyatana (Six Sense Bases): The six senses (sight, sound, smell, taste, touch, and mind). Phassa (Contact): The interaction between the sense bases and their objects. Vedanā (Feeling): The experience of pleasure, pain, or neutrality arising from contact. Tanhã (Craving): The desire for things to be different, fuelled by feeling. Upādāna (Clinging): The attachment to things, thoughts, or ideas, fueled by craving. Kamma-bhava (Becoming): The process of becoming a new being, influenced by karma. Jāti (Rebirth): The actual act of being reborn. Jarā-marana (Decay and Death): The aging and eventual death of the being. Main Factors: * This simply refers to all twelve factors listed above, highlighting that they are interconnected and contribute to the cycle of suffering. Three Links: * This refers to the specific connections between three pairs of factors within the twelve-factor chain: Sankhara (kammic formation) & Viññāṇa (consciousness): Karma directly influences the type of consciousness that arises at rebirth. Vedanā (feeling) & Tanhã (craving): Pleasant feelings often fuel craving, while unpleasant feelings can lead to aversion, both driving the cycle. Kamma-bhava (becoming) & Jāti (rebirth): The process of becoming a new being ultimately results in rebirth. Two Roots (in the present): Tanhã (Craving): The desire that drives suffering in the current moment. Avijjā (Ignorance): The lack of understanding that fuels craving in the present. Three Rounds (Vatta): Kilesa Vatta (Round of Defilements): The cycle of negative mental states like greed, hatred, and delusion. Kamma Vatta (Round of Kamma): The cycle of actions driven by defilements, creating new karma. Vipāka Vatta (Round of Resultant): The cycle of experiencing the results of karma, leading to further suffering and rebirth. Three Periods (Kāla): Past: The time that has already passed. Present: The time that is currently happening. Future:The time that is yet to come. Twenty Modes: * This refers to a detailed breakdown of the four layers (past causal, present resultant, present causal, and future resultant) and how they operate in different ways: Five Past Causal Modes: The five types of actions and intentions from the past that influence the present. Five Present Resultant Modes: The five ways in which past karma manifests in the present. Five Present Causal Modes: The five types of actions and intentions in the present that influence the future. Five Future Resultant Modes: The five ways in which present karma will manifest in the future. Trying to understand and accepting the truth of pațiccasamuppāda will deliver one to freedom from samsara.

Thursday, May 30, 2024

The Sammitiya Sect: Mathura's Dominant Buddhist School



The Fracturing of the Sangha

After 200 BE (3rd century BCE), Buddhism splintered into over 18 sects, prompting Emperor Ashoka to issue edicts (found at Sarnath, Sanchi, Lauriya) forbidding monastic division (Sangha-bheda). Yet, post-Ashoka, fragmentation resumed—by the 7th century, Xuanzang noted the Sammitiyas as Mathura’s dominant school.


Archaeological Proof: The Gaughat Well Inscription

Discovered in 1863 CE (2406 BE) by Alexander Cunningham near Mathura, this Bodhisattva statue base bears a hybrid Sanskrit-Prakrit inscription:

"This Bodhisattva image was installed—along with [donor’s] parents, preceptor Dharmaka, and male/female disciples—at Shri Vihara, in honor of the Sammitiya teachers and all Buddhas."

Why This Matters:

  1. Sectarian Stronghold: Confirms the Sammitiyas’ dominance in Mathura, a Kushan-era hub.

  2. Social Network: Shows lay-devotee families (parents, disciples) funding art, blending domestic and monastic life.

  3. Doctrinal Clue: The Sammitiyas (Pudgalavādins) believed in a "person" (pudgala) neither identical to nor separate from the five aggregates—a controversial middle path.


Xuanzang’s Corroboration

The Chinese pilgrim recorded:

  • Mathura had 20 Sammitiya monasteries but only 5 for other sects.

  • Their "Pudgala" doctrine was debated across India, yet they thrived here.



Legacy of a Lost School

  • Four Inscriptions: Mathura’s ruins yield three more Sammitiya-linked artifacts, now in the Mathura Museum.

  • Final Decline: By 1200 CE, their texts vanished—surviving only in critiques by rivals like Vasubandhu.

Did You Know? The Sammitiyas were called "Vātsīputrīyas" in Sri Lanka—their name varied by region!

(Source: Cunningham’s Archaeological Survey Reports, Vol. 1)

"Even These Fragments Speak Volumes"

The Sarvāstivādin Doctrine: "All Things Exist"



From 200 BE (3rd century BCE), Buddhism split into 18 schools over doctrinal disputes. Among them, the Sarvāstivādins (Sanskrit: Sarvāstivāda; Pali: Sabbatthivāda) asserted:

  • "Sarva" (all) + "asti" (exists) + "vāda" (doctrine) = "The theory that all phenomena (past, present, future) have real existence."

  • Contrasted with Theravada’s "momentariness" (only the present exists).



Archaeological Proof at Mathura (1863 CE / 2406 BE)

Alexander Cunningham’s excavation at Katra Mound, Mathura uncovered a Buddha statue base with a hybrid Sanskrit-Prakrit inscription:

"This Bodhisattva image was donated by the laywoman Nanda of the Kshatrapa clan, for the welfare of all beings—[dedicated] to the teachers of the Sarvāstivādin school."

Why This Matters:

  1. Sectarian Identity: Confirms Sarvāstivādin dominance in Mathura, a Kushan-era hub.

  2. Lay Devotion: Shows women like Nanda patronized art, bridging caste (Kshatrapa) and spiritual worlds.

  3. Linguistic Shift: Uses Sanskrit (not Pali), reflecting the school’s scholarly bent.


The Bigger Picture

  • Global Reach: By 400 CE, Sarvāstivādin texts reached China via Silk Road, shaping Mahayana.

  • Legacy: Their Abhidharma texts (e.g., Mahāvibhāṣā) remain key in Tibetan Buddhism.

Fragmentary but Profound: Though only a base survives, its 4 lines reveal:

  • A laywoman’s piety.

  • A sect’s philosophical stance.

  • The multicultural fabric of ancient Mathura.

(Source: Cunningham’s reports, now in the Indian Museum, Kolkata)

Did You know? The Kshatrapas were Saka rulers—proof of Buddhism’s appeal across ethnic lines!


Monday, May 27, 2024

IMP Time Line

IMP Work Flow

The Guardians of Jetavana Monastery During Kanishka's Reign



Key Discovery: The Kanishka-Era Inscription

In 1862 (2406 BE), archaeologist Alexander Cunningham unearthed a headless red sandstone Buddha statue at Sahet-Mahet (ancient Sravasti), bearing a pivotal Brahmi inscription:

"In the 19th year of Mahārāja Devaputra Kanishka, this Bodhisattva [image], along with an umbrella and incense, was donated by the Tripitaka-master Bhikshu Bala, disciple of Bhikshu Pushyavuddhi, at the Buddha’s walking path (Chankramana) near the Kosambakuti in Sravasti—for the teachers of the Sarvāstivādin school."

5 Critical Revelations:

  1. Royal Patronage: Confirms Kanishka’s rule (c. 127–150 CE) over Sravasti.

  2. Sacred Geography: Pinpoints the Kosambakuti (Buddha’s monsoon retreat) within Jetavana.

  3. Sectarian Identity: The monastery was managed by the Sarvāstivādins ("All Exists" school), dominant in North India.

  4. Monastic Lineage: Names two monks—Bala (a Tripitaka scholar) and his teacher Pushyavuddhi.

  5. Parallel Donations: Similar statues were installed at Mrigadava (Deer Park), showing the sect’s pan-Gangetic influence.




Historical Context

  • Xuanzang’s Account (630 CE): Noted Jetavana’s decline but mentioned Ashokan pillars with elephant/lion capitals.

  • Queen Kumaradevi’s Restoration (5th c. CE): Revived the site under Abbot Buddhabhattaraka, but by 700 CE, it was abandoned.

Why Sarvāstivādins?

  • Doctrine: Their belief in the reality of all dharmas (past/present/future) aligned with Kanishka’s Fourth Buddhist Council (Kashmir).

  • Artistic Legacy: The statue’s Greco-Buddhist style matches Gandharan workshops under Kushan patronage.


Where to See the Artifact

The inscribed statue is displayed at the Indian Museum, Kolkata (Gallery No. 4).

Did You Know? The Kosambakuti was where the Buddha delivered the Kosambiya Sutta—on monastic harmony!

(Source: Epigraphia Indica, Vol. 8, 1905–06, p. 181)



IMP

Sunday, May 26, 2024

The Sarvāstivādin Legacy at Kurkihar: A Bronze Age Buddhist Treasury


Discovery of a Lost Monastery

In 1863 CE (2406 BE), Norwegian epigraphist Prof. Sten Konow uncovered a trove of Buddhist art at Kurkihar, near Gaya, Bihar:

  • 231 bronze statues—the largest collection of ancient Buddhist metalwork in India.

  • Key Finds: Buddha images, Bodhisattvas, and Tara deities, now displayed at Patna Museum.

  • Historical Context: A major Sarvāstivādin center during the Pala dynasty (8th–12th c. CE).

The Inscribed Black Stone Buddha

varada mudra (blessing gesture) statue bears two inscriptions:

  1. On the Halo: The Ye Dharma verse in Sanskrit—core Buddhist doctrine.

  2. On the Base:

    "Siddhaṃ... Sarvāstivādin deyadharmo yaṃ Sthavira Maradevasya"
    (“This religious gift is by the Elder Maradeva of the Sarvāstivādin school.”)

  • Significance:

    • Confirms Sarvāstivādin presence in Magadha, their doctrinal heartland.

    • The sect’s name means "All Exists"—they believed past/future dharmas are real.

  • Current LocationBritish Museum, London (Room 33).


Why Kurkihar Matters

  1. Sectarian Hub: The Sarvāstivādins dominated North India (Mathura, Kashmir, Gandhara) but this find proves their influence in Magadha.

  2. Artistic Mastery: The bronzes show Pala-era metallurgy—a blend of Gupta elegance and Tantric iconography.

  3. Global Diaspora: Their texts reached China via Kumārajīva, shaping East Asian Buddhism.

Did You Know? The Sarvāstivāda Vinaya was the only monastic code in 7th-century Xinjiang!

(Note: The "Elder Maradeva" may be the same teacher cited in Vasubandhu’s Abhidharmakośa.)

Sacca

5 Khandha on 6 Doors

Understanding about the Vedanakkhandha Dukkha Sacca